Most organizations have already diagnosed their story problem. The diagnosis is usually wrong.

They’ve decided the story isn’t clear enough, or that the messaging needs to be refreshed, or that a new positioning will finally give the brand something worth saying. So, they run workshops. They invest in a new messaging strategy. Then, they hand off a document. Six months later, the story still isn’t landing. It’s disconnected from the day-to-day business. The people closest to the brand still can’t articulate what makes it different. The words showing up across channels still sound like everyone else in the category. They only solved half the problem.

Having a story and being able to tell it are two different capabilities. Most organizations have put serious resources into the first one. Very few have built the second. That gap, between knowing what the story is and actually being able to tell it, is where most brand communication breaks down.

Knowing isn’t telling

Every organization has a story somewhere. It lives in the heads of the people who built the company, in the language leadership uses when they’re explaining the vision to someone they trust, in the moments when a customer says something that makes everyone in the room nod because it captures exactly what the brand is trying to do.

The insight is there. What’s missing is the work of translating it into language that travels. Language precise enough to guide real decisions. Simple enough to hold onto under pressure. Distinctive enough to sound like this brand rather than a reasonable facsimile of the category it competes in.

That translation doesn’t happen automatically. It requires someone to do the hard work of figuring out which words actually carry the meaning and which ones just approximate it. Effective storytelling requires making real choices about what to say and maybe more importantly, what to leave out. It’s identifying which industry phrases have become so familiar they’ve stopped meaning anything, and uncovering where the brand’s actual language lives versus where it defaults to safety.

The strategic work being right doesn’t mean the translation work gets done too. It requires a different kind of work entirely.

The words are the story

Every industry develops a shared vocabulary over time. Words that feel authoritative because everyone uses them. Phrases that signal professionalism because they’re familiar. The problem is that familiar language is, almost by definition, language that belongs to the category rather than to any specific brand within it.

When a technology company describes itself as innovative, a financial services firm promises to put clients first, or a healthcare organization leads with compassion and expertise, nothing has been communicated. Those words have been used so many times, by so many organizations, that they no longer carry meaning. They’re placeholders where a real story could be.

Verbal precision is a strategic choice, not a stylistic one. The words a brand chooses determine whether the story actually gets through to the people it needs to reach. Choosing them carefully while being willing to give up the comfortable industry phrases that feel safe but communicate nothing is where the real differentiation lives.

Storytelling is a verb

Here’s where most organizations get it wrong. They treat storytelling as something you do once. You commission the work, you capture the story, you run the training, you hand off the framework. And then you move on, because the storytelling problem has been solved.

It hasn’t. It’s just been documented.

A document that captures the story isn’t a storytelling capability. A workshop that teaches the story isn’t a storytelling capability. Those things can be valuable inputs, but only if someone has built the practice that keeps the story alive after the workshop ends and the guidelines get filed away.

The difference between a story that sticks and one that fades isn’t simply the quality of the insight or the craft of the initial work. The crux is whether the organization has built the ongoing discipline to keep telling it. That means frameworks simple enough that people can actually hold onto them. It means training designed around real work connected to the business. It means treating storytelling as something people get better at over time, not something they learn once and then apply forever.

Building the practice

What does a real storytelling practice actually require?

A verbal foundation that decides, not just describes

Most verbal foundations describe the brand. They use words like warm, honest, and human, and leave everyone who reads them to figure out what those words mean in practice. That’s not a foundation. That’s a mood board.

A solid foundation makes decisions in advance so the person using it doesn’t have to make them under pressure. It answers the questions a non-writer will actually face across a wide range of real-world scenarios: which words are genuinely ours and which ones are the defaults we reach for when we’re being lazy? How does the voice behave when the subject matter is technical, or sensitive, or when the person reading it is under stress and needs clarity more than personality? What’s the difference between how we talk to someone who knows us well and someone encountering us for the first time?

The true test is whether someone who isn’t a writer, who isn’t a marketer, who has twenty minutes and a real thing to produce or a real conversation to have, can pick it up and know what to do. A foundation built to that level of specificity may tell people to say the product “reduces approval time from three weeks to two days” instead of “streamlines the process.” It tells them to say “we made a mistake and here is what we are doing about it” instead of “we are committed to continuous improvement.” It tells them that “transparent” is a category default and “we publish our product road map two years out” is a brand differentiator.

Training built around real work, not concepts

Training that teaches people what a good story is too often starts in the wrong place. Understanding something and being able to do it are not the same capability, and the gap between them doesn’t close through more explanation.

Training that actually builds capability starts with the work people are already doing. The actual materials the people in the room will walk out with and use tomorrow. The brief they’re writing. The pitch they’re preparing. The email they’ve been avoiding because they can’t figure out how to make it land.

When training is built around real material, people leave with something they’ve already applied, not just something they’ve understood. And they start to see the difference between language that earns its place and language that’s filling space.

Rather than a half-day workshop that teaches narrative frameworks, try a session where people bring something they’re actually working on, apply the framework to it in the room, and leave with a revised version they made themselves. Someone who spent an hour reworking their own sales pitch next to someone writing a brief for their marketing agency will leave knowing how these principles apply outside of their own function within the organization.

Watch for how the questions change. Early on, people ask whether something is on brand. Later, they start asking things like how to handle a specific tension, whether the voice should change for a particular audience, what to do when the guidelines don’t account for the situation in front of them.

Build in regular sessions where people can bring those edge cases. Keep going until the sessions are less about correction and more about refinement.

Telling stories that you earned

Organizations that treat language as a discipline rather than a deliverable end up with something their competitors can’t easily replicate. Not because the story is better, though it often is. It’s because the capability to tell it is built into how the organization functions day-to-day.

The story stops being something the brand team owns and starts being something the whole organization carries. People across functions can articulate what makes the brand different, not because they memorized a document, but because they’ve practiced it enough that it’s become part of how they think. The language is consistent not because someone is policing it, but because people understand it well enough to apply it themselves.

That’s what storytelling looks like when it’s earned. Not a better deck. A deeper practice.

Kae Penner-Howell
July 22, 2026 By Kae Penner-Howell